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Neneh Cherry & the Thing: The Cherry Thing review

(9 out of 10)

For many people – especially in the United States – Neneh Cherry’s career began and ended with “Buffalo Stance,” which is why The Cherry Thing is being greeted like some sort of unexpected comeback. The thing is, Cherry never really went anywhere, and, more importantly, has spent far more time toiling on the experimental and interesting fringes of contemporary music than she ever did on MTV. The stepdaughter of Don Cherry was a bona fide founding member of the British post-punk/dub scene, working with both Rip Rig and Panic and the Slits, she released two albums after Raw Like Sushi that were incredible works of soul-pop perfection, she was a spiritual midwife to the Bristol trip-hop scene, she’s been working with her husband in the prog-funk group known as Cirkus, and, now, she’s collaborating with baritone saxophonist Mats Gustaffson’s free-jazz group, the Thing … a group that was named after, yes, a Don Cherry song. So while The Cherry Thing is definitely a new chapter, it’s in a book that Neneh Cherry’s been diligently writing for three decades now.

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